Bhabha supports these ideas with reference to correspondence made from the Church Missionary Society which settled in India in the early nineteenth-century. Simmons ed. For Bhabha, the ability to inverse the colonial control held through writing and language is inextricably connected with the hybrid mimic. It is this ability for the marginal to find agency and control through the very institutions and means that oppressed them, to mimic these very functions, that allows the hybrid to become a form of colonial resistance.
Furthermore, Bhabha claims that the hybrid space is in itself dependent on specific contextual conditions, a contradiction to his generalised and universal application of the concept itself. Related Papers. By goksel kaya. By Maurice O'Connor. By Fredrik Fahlander. By kazuraba kouta. By Jonathan Swift. Download pdf. Rich Text Content. Page Comments. Click here to download. Using an ePortfolio Introduction ePortfolios are a place to demonstrate your work. They are made of sections and pages.
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Private portfolios are only visible to those to whom you grant access. Make it Public. It is a field in which interpretation comes to the fore, and much of its force depends on addressing the complex legacy of colonial encounters by careful, sustained attention to the meaning of the traces that they left on colonized cultures.
What Bhabha's writing, like so much postcolonial thought, shows is that the arts of clarification and definition that underpin good interpretation are rarely the same as simplification. Indeed, good interpretative clarification is often about pointing out and dividing the different kinds of complexity at play in a single process or term. For Bhabha, the object is identity itself, as expressed in the ideas colonial powers had about themselves.
In his interpretation, what at first seems to be the coherent set of ideas behind colonialism soon breaks down into a complex mass of shifting stances - yielding something much closer to postcolonial thought than a first glance at his sometimes dauntingly complex suggests. Homi Bhabha Author : K. Interrogating identity: Frantz Fanon and the postcolonial prerogative, 3.
The other question: Stereotype, discrimination and the discourse of colonialism, 4. Of mimicry and man: The ambivalence of colonial discourse, 5.
Sly civility, 6. Signs taken for wonders: Questions of ambivalence and authority under a tree outside Delhi, May , 7. Articulating the archaic: Cultural difference and colonial nonsense, 8. DissemiNation: Time, narrative and the margins of the modern nation, 9. The postcolonial and the postmodern: The question of agency, By bread alone: Signs of violence in the mid-nineteenth century, How newness enters the world: Postmodern space, postcolonial times and the trials of cultural translation, Conclusion: 'Race', time and the revision of modernity, Notes, Index.
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